The music industry, fronted by
the RIAA (Recording Industry Association
of America), is systematically wrecking
both music and talent. The RIAA exists to lobby
for the interests and maximise royalty payments
paid to the five music industry mega-corporations:
Universal Music and Video Distribution, Sony
Corp. of America, Time-Warner Inc., EMI Music
Distribution and Bertelsmann Music Group (BMG).
Those mega-corporations use the RIAA Rottweiler
to maintain their co-operative monopoly of the
music business and to screw (and sue) musicians
and consumers (their customers) alike.
In one of many of its antisocial attacks, the
RIAA (which comprises lawyers), used the clout of
money and political donations
to kill Napster (in its original incarnation), the then-loved Internet MP3
music sharing system. For many years the music industry
failed to replace Napster with any model
of its own for distributing music electronically,
preferring to stick to its monopolistic practices
that have served it so well in the past. Even today the online
services it provides are overpriced and its online music crippled by DRM (Digital Rights Management).
Before it was ruined by the RIAA, Napster actually inadvertently increased
the record industry's profits. People swapped
music on Napster and as a direct consequence
they discovered bands and bought more CDs. Instead
of embracing Napster as a fantastic innovation
that benefited everybody, the RIAA knifed it.
What rewards did their spite and greed grant
them? Their profits plummeted by 26%! (Of course
the RIAA-owned musicians' royalties fell concomitantly.)
Napster proved internet
distribution business models can work but the music corporations were not
interested. They are paranoid about ceding control
to the artists and individuals who make and
pay for music. Freedom and democracy does not dovetail with corporate
policy and investors interests.
Apple showed the music industry the way forward. The RIAA failed to prevent Apple's enterprise from
becoming astonishingly successful, and has ceded much control of the distribution of music to Apple corp. This is because Apple succeeded, unlike the music industry, in providing people with a music distribution model they prefer.
Interestingly, ITunes allows people to download the tracks they like. This innoculates the industry's poisonous strategy of releasing CDs with about two or three decent songs embedded in dodgy filler material.
Yet Apple's ITunes service, while liberal compared
to RIAA-sanctioned schemes, does not provide music that is free, i.e. it is crippled by DRM. Most people do not care as long as their music plays on their IPod. However those music files are not portable to non-Apple music players. (The remedy is to go through the hassle of cracking the DRM with software tools, but why should you have to go to all that trouble, if you have paid for the music?)
Due to DRM, rip-off prices, filler-padded CD's and, increasingly significantly, a desire to boycott the RIAA, people resort to obtaining to uncrippled music (chiefly in ogg or MP3 formats) via internet peer-to-peer (P2P) apps. P2P systems. P2P are file sharing systems e.g. BitTorrent, eDonkey etc. P2P systems are used for many legit purposes, e.g. legit software and content distribution, not just for sharing a subset of media files that the RIAA claims are illegal. Guess what? The RIAA and MPAA lobby to have P2P activity declared illegal, period.
The RIAA is actively bullying peer-to-peer providers, and has sued them indiscriminately. And lost, but not without deliberately causing great inconvenience and disruption to innocent parties by their mischief.
More recently the RIAA has turned its petulant wrath to Internet Radio. If the courts accept the RIAA's demands for higher royalties, then these radio stations will operate at a loss and will die. This would pave the way for the mega-corporations represented by RIAA to monopolise Internet radio. These Internet radio stations and peer-to-peer music-sharing programs are ideal channels for new talent to develop a fan base. This is one reason why the RIAA is trying to destroy them.
It plays like a mafia story, Mr Big is systematically crushing the defenceless small guy. The music industry pigopolist giants, Sony, EMI, Universal et al are irresponsible in their pursuit of control, for they own and control the RIAA. The RIAA do their dirty work (endless dirty work). Did you know that the RIAA keeps for itself 2% of the money you pay for a record industry-distributed CD? And they use that cash to remove your rights, your convenience, your freedoms... and to sue you...
Most people are aware that the RIAA are spying on and suing men women and children (via the parents of those children if they are very young) for music file sharing. Much is said of this dispicable RIAA tactic elsewhere. I'll just add that the RIAA is deliberately attempting to use the law (at least in America, they can't get away with this crap in the UK, for example, at least not yet) to scare people from file sharing. It isn't working. Of course they are making a pretty penny for forcing people to settle out of court for thousands of dollars, to avoid having to play court costs and risking astronomic fines of hundreds of thousands of dollars. This is extortion, plain and simple. Why isn't the government of the United States protecting its people from being terrorised and robbed by this RIAA mafia? (Cough***corruptioncampaignfees***cough).
Yet another reason to abhor the vile RIAA/music industry is that they are deliberately corrupting music CD's to prevent people from playing them on computers, DVD players etc. This crippling technology is called DRM (Digital Rights Management). The idea behind DRM is to stop people using computers to copy their music (or anything else for that matter). DRM annoys and inconveniences me, as I spend a lot of time at my PC and I listen to music on it. Obviously informed people will no longer buy DRM i.e. "protected" i.e. corrupted CD's. The music industry are giving people another incentive to use OGG or MP3 music files here.
As a side effect, some of the RIAA's crippled CD's have been known to kill Apple Macs. I'm not making this up! *. More recently, Sony music CDs installed a rootkit on Windows PC's (which are always insecure) thereby rendering them even more insecure, and sometimes breaking them completely! This horror is the horror of Digital Rights management - DRM.
The music industry maintains its monopoly by controlling the distribution and marketing of music. In this way it is increasingly difficult for independent musicians to be heard and sell their music. Simultaneously, musicians that do sell their souls to the RIAA are receiving less and less for each song sold. Only immediately successful bands make any money at all these days (the rest are ditched regardless of talent). Copyright laws were originaly drafted to protect artists AND benefit the public. Over the years copyright laws have been subverted by the content industry and venal politicians to benefit themselves, and the latest copyright laws are obviously stifling creativity. Look at the increasingly dire quality of industry output, and notice the decreasing portions of profits that end up in the pockets of the creative artists, and judge for yourself.
The recording industry discourages Music TV and radio stations from playing independent music. Big brother RIAA tells you what to listen to, and most people tend to buy what they hear on the TV and radio. Unfortunately this music is being dumbed down. Cheap, "cool" and generally talent-free music such as stuff by banal boy-girl bands or thuggish hip-hop is being forced down our necks, and the young generation is being brainwashed by corporate marketing into believing this manufactured pop tat is trendy. The music is so relentlessly shallow that kids are being conditioned to shy away from high quality music. The young, such as students, do not seem to care any more.
The RIAA actually finds this ugly mess to its suiting. Music and musicians - and virtually everyone with functioning ears - lose out because of the recording industry's insane political motives. We are comparitively rarely seeing fresh talent: cynicism and stagnation have set in. Ironically the habitual promotion of mediocrity by politically correct types is playing straight into the music corporations' hands. Talent is risky and costs money in the short term, whereas mediocrity is always cheap and therefore considered safe in the short term. Consequently, we are being taught to embrace drek as hip content. Where is the rebellion now that we need it?
And so it is that the decline in civilisation and culture is reflected in the corrosion of musical creativity on behalf of music producers. This leads to the lack of demand for quality by the consumer. In fact the modern consumer is barely able to recognise or understand quality music as attention spans shorten. Once it has destroyed the market for quality music and song writing, the music industry can sell cheap trash on a scale never seen before. The profits roll in.
There is always a place for low-IQ music. Club
music is timed to be in sync and resonance with
your brainwave frequencies. When you listen
to the pounding beat it literally gives you
a high. It isn't the tunes or melodies that
do this so much as the thud - thud - thud
of the beat. The repetitive beat acts like a
drug, releasing pleasure-inducing neurochemicals
within the brain. I have no beef about this,
I listen to this stuff myself when I'm in the
mood. What we need is diversity, creative music
for all tastes and moods. The last thing the
world needs is further erosion of higher forms
of music for the sake of optimising record industry
profits.
I chiefly listen to pop, rock and classical, with some jazz and blues etc: they suit different moods. I was late coming to classical. It took me a while to get into it but I was driven by the instinct that perseverance would bring me rich rewards in the end. I was not mistaken.
A musician friend of mine has eschewed the music industry: the horrible, music-industry-owned mp3.com ripped her off. I mentioned how, when recently the radio played the second movement of Beethoven's sixth, a 20 yr old dismissed it as just "noise". This came as no surprise. Unfortunately there are too few people with an ear capable of appreciating beauty in music. My musician friend responded that this was why she teaches young kids, accepting under-tens as first starters. She points out they have immense memory powers but are all too often 'deflected into mediocrity by marketing.' She also points out that they are driven into 'team events rather than developing "The Self"'.
Music Industry marketing is a dangerous enemy
of culture because it is about driving the masses
to the lowest common denominator. Keeping the
masses obtuse is profitable and that is the
goal of the RIAA. And the music industry is
doing ugly things to achieve it. If you think
this does not affect you think again. Amongst
other wrong-doings the RIAA is depriving us
of great bands and great music by strangling
talent at birth. Who knows what great bands
could have existed without the pigopolist music
industry cartel. We are thirsty, we are now stranded
in a musical desert and the RIAA is
withholding the water.
There is some resistance out there: Magnatune is an open record label.
They are benevolent, compared to RIAA evil. Try them, support them. there may be a glimmer of hope!
Remember, the RIAA is there to do the dirty
work of the music industry mega-corporations
including Sony, Universal and EMI. At some point,
idealism in music transformed from anarchy into
into a nasty totalitarian regime. Remember that
next time you tune into MTV or buy a non-independent music CD.
I for one am boycotting the music industry and have happily done so for a few years. The recording industry officially blames the loss of my business, and the loss of revenue of others like me, on piracy rather than on their own folly of course.
Time to support independent, non-RIAA labels. See links below for ideas. Or if you must buy RIAA music, say to replace music you have already paid for in the past, there's always allofmp3.com - a russian DRM-free download site that's convenient to use, with support for ogg format music. They have a sensible pricing policy (at time of writing) and boast a superb service.
The
music industry sues young people that
did nothing illegal. How charming! If
you don't like these unpleasant tactics
to scare you off downloading music, then
punish the record industry (represented
by the RIAA) by boycotting
them and buying only independent music.
More RIAA: The
RIAA boycott is on.
I
love the business model behind this new
"open music record label", it's an excellent
way to boycott the RIAA! Brief summary
of the site: Try before you buy, Hundreds
of MP3'd albums; genre-based radio stations;
artists get a full 50% of the purchase
price and keep the rights to their music.
Founded by musicians, for musicians. No
major label connections. Not evil.
To
quote an American, "If you're into
indie stuff, then emusic looks like quite
a bargain. Something around $15 a month
for unlimited MP3 downloads." Agreed
at time of writing (Sept 2003) [Update
(Oct 2003): unfortunately due to a corporate
takeover, the number of downloads is now
restricted. Check the site for details.
Chuck
says, "Well, as an avid Slashdot
reader, I got miffed when two news articles
came out within about a week of each other.
First, the press release that Charley
Pride's label was going to "copy-protect"
his newest album, "A Tribute to Jim Reeves,"
and second, when Universal Music announced
that they were going to start releasing
all of their CDs with copy-protection
built into them. I figured if this was
the future of music, I at least wanted
the public to know which CDs were being
corrupted since the record labels weren't
going to tell us. That way we can vote
with our money."
Ogg
Vorbis is an open, patent-free, professional
audio encoding and streaming technology
(An open source equivalent of MP3). Ogg
is as good as or superior to MP3 in quality
especially at low bit rates. Ogg is new
so more software will appear over time.
"Adware, Spyware and other unwanted
"malware" - and how to remove
them". Adware is a scumware detection
and removal app. Free and used by me.
Recommended. Spam, Spyware etc. the Internet
is getting hostile with crooks.
A "professional" multitrack,
multichannel audio recorder and DAW for
Linux, using ALSA-supported audio interfaces.
Supports up to 32 bit samples, 24+ channels
at up to 96kHz, full MMC control, non-destructive,
non-linear editor, LADSPA plugins. Open
source - no copy protection or licence
tracking.
Independent music and independent software
go together. This is my page on (free,
as in liberty and often as in beer) open
source software, with more links.
* To answer Jenni's question
in the talkback,
I saw this in a recent news
story in The
Register. I imagine that the offending
CD's have probably been removed from sale
so maybe there is low risk now. But you never
know with copy protected CD's what damage
they might do. It may be just me, but I find
it offensive that the music industry is screwing
with CD's that I pay for so that they don't
play on (or even potentially corrupt) my computer
systems. Recently I took a CD back to the
record store because it wouldn't play in my
machine. When I requested a refund, the store
manager looked at me as if I were a criminal.
I thought that slightly ironic, to put it
politely. Out of protest, I have stopped buying
record-instustry-distributed music. Thanks
for your talkback Jenni.