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The Others


How thoughtful of the movie studios to give away the plot in the trailer

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The Others
Dir Alejandro Amenábar
2001 PG 13

The Others is a psychological chiller set in a foreboding old mansion. It is solely occupied (or IS it?) by a mother (Nicole Kidman) and her two young children (fear not, the kids are not cutesy brats.) But the mother is in mourning, for her beloved husband has been long missing in action in W.W.II. (The Others is set not long after the end of that war). To make matters worse, her children are photo-allergic and must be shielded from daylight (this isn't a vampire movie), which is convenient for scary scenes because they are confined to gloomy, oil lamp-lit rooms, rooms that are spectacularly creepy. Contrived? Of course. A great plot device? Indeedydoody.

The mother is a eccentric and refuses the luxuries of electricity, noise or even music, for noise and music give her migraines. Hence the house is VERY quiet. And this quietude, like the darkness, is very unsettling. She teaches her kids to be "good" Christians, and, in a tense scene, she tells them to close their eyes and imagine Hell, to imagine pain that never stops. Then she tells them that they will end up in Hell if they tell lies. (The Others, with this marvelous early scene, illustrates the frankly abusive, mind-screwing tortures that religious parents inflict upon their kids.)

The mother is surprised to be visited by three out-of-work servants, and she employs them because her original servants all mysteriously left. We are hardly surprised because the mother is more highly strung than the Goddess of PMT. The new servants are simple folk: a nanny (Fionnula Flanagan), a mute kitchen maid (Elaine Cassidy) and a gardener (Erik Sykes) - are a welcome presence, being kindly, humble and homely folk.

But, naturally, events take a turn for the worse. The kids see terrifying presences, and the movie becomes genuinely scary. The tension becomes truly amazing because the mother refuses to accept the awful things her kids are telling her, even though they are obviously petrified.

The Others contains scare scenes that made me jump out of my chair, I can tell you. The movie is PG13? It will give adults nightmares! And The Others earned its frights well, for it sensibly kept the lazy indulgence of false scares to a minimum. I ABHOR false scares in movies with a passion. They are cliché now.

The direction in The Others was extraordinarily good, Kidman's uptight performance was electric. Everyone was perfectly cast and perfect in their acting, not least the kids. The kids came over as genuine, not the usual despicable aliens of the ghastly Spielberg-Disney-Hollywood-kidsy variety. They were scared but in an understated way, accepting of their lot. The older sibling was cruel to the younger, everything was spot on. The kids, who could have so easily have ruined The Others, enhanced it. The Others has visuals that are splendidly atmospheric and claustrophobic The score cranked up the brooding menace wonderfully and during dialogue free scenes the absence of music was as important as the presence of it. Kidman's character saying that music gave her migraines could be made into a useful metaphor for movie score writers.

I was captivated by this artful, dramatic killer of a movie and went away feeling high. Kidman has been in my two favourite movies of the year (2001) so far, Moulin Rouge and, of course, The Others.

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Spoilers!!!!
Warning: this box contains a movie post-mortem analysis that freely gives away important plot twists and details. If you have not yet seen this movie and intend seeing it, avoid this spoilers box until afterwards. Bookmark the page, see the movie, see if you agree with my review then write an arsy comment saying I am talking total b*ll*cks :-)


 

Permit me to repeat, please do not read the red writing in this box if you intend to see this movie...

I noticed a subtle clue. The mother made love with her husband and, despite his stubble being enough to skin a whale, she was left with a perfect complexion. No red marks. Someone's either a ghost or English :)

As for the twists in this tale, I sussed out that the trio of servants were ghosts early on, especially when the Nanny said that they were forced to leave the house due to tuberculosis causing a mass evacuation. But I now realise that we were kind of supposed to foresee this twist, as I did. I complacently relaxed, thinking I'd sussed it all out - and was blown away by the resolution. I thought I wouldn't fall for such a thing again after Sixth Sense, and I'm sure many won't fall for it. But I did. And I'm all the gladder for it. The epiphany during the climactic Ouija board scene was a rush I'll never forget. Wonderful!





 


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Jim's preferred ending: None. Another good movie in 2001! Yay!

Rating: 5/5
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On the talkback comments


  Major Spoilers!!!!!!!!!

To Billy D, nono and Brian, I suspect the husband *must* have been dead, because in the notorious twist at the end of the movie we learn that Kidman and the kids were ghosts from many decades ago haunting a house in the present day. Like his family, hubbie was still young-looking too, so he was a spook. Plus, living people "the Others" did not seem to directly see the ghosts and vice versa.

To lillian
Nice point, I too don't remember the movie explaining how the servants knew they were dead, where as Kidman was not so self-aware. Maybe the servants had more time to figure it out; perhaps they discovered their lovely snapshot in "the book of the dead" and put two and two together; or the violent nature of Kidman's death threw her into a state of denial.

The people gathered around the table were "The Others": the flesh-and-blood occupants of the house and the psychic old hag conducting a seance to contact the ghosts that were haunting them, as touched on by Marcy.

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Thanks for the talkbacks so far
- Jim
 
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