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Sleepy Hollow


How thoughtful of the movie studios to give away the plot in the trailer

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It's 1799. Detective Jonny Depp is dispatched into an isolated village to bring to heel the dastardly villain who is beheading the inhabitants.

This flick was full of trademark Tim Burton scenes: jagged, twisty, gnarly architectures, sculptures and trees; spooky, stygian, haunted ambiences and settings; Danny Elfman score and women swirling picturesquely in the midst of falling white particles. But these elements are familiar now. Scarecrows, halloween pumpkins, we've seen it all in his other stuff. That wouldn't be so bad but, in trying (not very successfully) to simulate the Hammer Horror magic, Burton did not create his own distinctive magic.

And the eyeballs-springing-out-and-back-into-their-sockets effects, as seen in The Mask, were cheesier than the moon when hosting an intergallactic stilton conference.

Jonny Depp disappointed slightly too, but this could have been due to unfocussed direction. I loved him in another Burton movie, Edward Scissorhands. But in this he didn't seem able to decide whether to play it camp or straight. He was supposed to be terrified and yet did not have the aspect of a man in bowel-losening fear. Another complaint: he generated about as much chemistry with the (strangely stilted) love interest as lethargic xenon on a rainy day. He didn't seem truly immersed with his surroundings or blend with the character actors.

I enjoyed "Sleepy Hollow" when, all too briefly, the veterans were wheeled in: Michael Gambon, Jeffrey Hughes, Ian McDiarmid, Richard Griffiths, Christopher Lee... These were poetic scenes. But they were fleeting scenes. These guys were (big surprise) wasted. But now I'm into my thirties, I am irritated that Hollywood is forever chasing the adolescent buck. And teenagers are not entertained by actors old enough to be their parents/grandparents.

The baddie was a headless horseman who liked nothing better than lopping off other peoples' heads. He was Darth Maul without a bonce wielding a sword without batteries.

"Sleepy Hollow" is a very mixed film. Visuals: glorious and gothic. Aging thesps: a bit of a treat. Headless horseman: spiffing. Score: interesting. All else: mediocre, tedious or laughable. Exploding windmills? Depp rattling his tea cup in its saucer out of fear when he is told an utterly preposterous anecdote? And so on ad nausiam. Much of this is probably spoofy tongue-in-cheek stuff but even if it is it adds nothing to the shape of the film.

And - Reactionary Mary Whitehouse bit - there is a gratuitous and playful scene showing the slaughter of a family that is downright sick. Violence for the sake of amusement eh? Puts Hollywood's squeamishness towards movie sex and nudity into perspective.

Jim's Better Half's observation: "Casper Dien could battle the mushy peas, tomato sauce and baked beans of "Starship Troopers" but couldn't battle the headless horseman."


Jim's preferred ending: The headless horseman enjoys a pint of ale by literally pouring it down his neck.

Rating: 2.5/5
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